Blood Feud 1978

Blood Feud 1978

Blood Feud (Italian: Fatto di sangue fra due uomini per causa di una vedova, si sospettano moventi politici, and also known as Revenge) is a 1978 thriller film directed by Lina Wertmüller

 

Attila 1954

Attila (1954 film)

Attila (Italian: Attila, il flagello di Dio; French: Attila fléau de Dieu) is a 1954 Italian-French co-production, directed by Pietro Francisci and produced by Dino De Laurentiis and Carlo Ponti for Lux Film

 

Too Bad She's Bad (1954)

Too Bad She's Bad (1954)

 

Too Bad She's Bad (Italian: Peccato che sia una canaglia) is a 1955 Italian comedy directed by Alessandro Blasetti

 

La Favorita 1952

La Favorita 1952

 

La Favorita (Italian: La favorita) is a 1952 Italian anthology film directed by Cesare Barlacchi

 

Marriage Italian Style 1964

Marriage Italian Style 1964

Marriage Italian Style (Italian: Matrimonio all’italiana [matriˈmɔːnjo allitaˈljaːna]) is a 1964 romantic comedy-drama film directed by Vittorio De Sica, starring Sophia Loren and Marcello Mastroianni

 

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The film was adapted by Leonardo Benvenuti, Renato Castellani, Piero De Bernardi, and Tonino Guerra from the play Filumena Marturano by Eduardo De Filippo

 Filumena Marturano had previously been adapted as a 1950 Argentine film

JUST past a recent midnight, when the human and mechanical cacophony, that is Naples has died down, a string of trucks and jeeps began rapidly moving into position in Via Chiala, a central artery in the South Italian port city flanked by tall buildings. Rapidly, almost, silently, bulky film,equipment was unloaded and set up in nearby alieyways, on overhanging bridges and terraces

Just as quickly, word got around that something big was happening in Via Chiaia, and people began rushing up, isolated at first, then in groups

 Neighborhood windows opened and sleepy Neapolitans came out on their balconies, staying to see the show below them

A group of “scugnizzi,” the indomitable children of Naples, sat down along one sidewalk fronting the camera position. A few of them played a busy, local version of poker; others watched, entranced but alert, as a silver‐haired gentleman strolled importantly to and fro imparting Instructions

The gentleman, everyone in Naples knew, was Vittorio DeSica, and he was instructing his cameraman, Roberto Gerardi, on just how he wanted to shoot the next scene of “Marriage, Italian Style,” a Carlo Ponti‐Joseph E. Levine production based on Eduardo DeFilippo’s well‐known play, “Filumena Marturano” and again teaming the director and the stars of the recently successful, “Yesterday, Today, and Tomorrow,” Sophia Loren and Marcello Mastrolanni

Among others in the cast of the $3,000,00 Eastmancolor ‐ widescreen enterprise which Embassy will release in most world areas are Ingrid Bergman’s daughter, Pia Lindstrom, Aldo Puglisi and Marilu Tolo

The story, according to a press release, deals with “the romantic antics and matrimonial machination of an ex‐call girl who is determined to marry the man who has been keeping her and thereby give legal names to her three fully grown sons, one of whom—though she adamantly refuses to tell which—has been father by her errant lover

Marriage Italian Style (1964)

Madame Sans-Gene 1962

Madame 1961

Madame Sans-Gêne is a 1961 Spanish–Italian–French film co-production, filmed in Eastmancolor and Technirama, and distributed in the United States by Embassy Pictures

 

It Started in Naples 1960

It Started in Naples 1960

It Started in Naples is a 1960 American romantic comedy film directed by Melville Shavelson and produced by Jack Rose from a screenplay by Suso Cecchi d’Amico, based on the story by Michael Pertwee and Jack Davies

 

Houseboat 1958

Houseboat 1958

Houseboat is a 1958 American romantic comedy film directed by Melville Shavelson

 

Man of La Mancha 1972

Man of La Mancha (film)

 

IMDB  Wiki 

Man of La Mancha is a 1972 film adaptation of the Broadway musical Man of La Mancha by Dale Wasserman, with music by Mitch Leigh and lyrics by Joe Darion. The musical was suggested by the classic novel Don Quixote by Miguel de Cervantes, but more directly based on Wasserman's 1959 non-musical television play I, Don Quixote, which combines a semi-fictional episode from the life of Cervantes with scenes from his novel

 

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Though financed by Italian producer Alberto Grimaldi and shot in Rome, the film is in English, with all principal actors either British or American, excepting Sophia Loren

 (Gino Conforti, the Barber, is an American of Italian descent.) 

The film was released by United Artists and is known in Italy as L'Uomo della Mancha

Produced and directed by Arthur Hiller, the film stars Peter O'Toole as both Miguel de Cervantes and Don Quixote, James Coco as both Cervantes' manservant and Don Quixote's "squire" Sancho Panza, and Sophia Loren as scullery maid and prostitute Aldonza, whom the delusional Don Quixote idolizes as Dulcinea

 Gillian Lynne staged the film's choreography and fight scenes

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Heller in Pink Tights 1960

Heller in Pink Tights

Heller In Pink Tights is a 1960 American Technicolor Western film adapted from Louis L’Amour‘s 1955 novel Heller with a Gun. It stars Sophia Loren and Anthony Quinn and was directed by George Cukor